New Writing, New Ideas

Saturday, September 1st, 2012 - Blog, Thinking

It’s been a lovely, long, hot summer in Saskatoon and, while I have been editing and keeping up with the Wattpad workshops, I haven’t been generating much new writing. I’ve finished a draft of a book and tinkered with another project, but I haven’t had the thrill of filling a blank page with a new story for a while.

Sometimes, when I’ve been focusing on edits for months, I start a new project by thinking about the end result. I get caught up in my imagination with what an editor might think. I am immediately stuck. I can’t write a thing. It’s scary to think about who might read a book one day, the judgements, reviews, argh! And so I give up before I’ve begun.

I deal with this in two ways

– 1) I close the door to all that noise. I shut my office door and ignore the world outside. I disconnect from the internet. I switch off the phone.

-2)I remind myself that I’m my first reader. The book has to please me. In fact, before it’s even a book in my head, it HAS TO BE A STORY.

It’s September first and time for me to get back to regular blogging, writing and dreaming. What are your writing goals for September?

 

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Wattpad Week 9

Monday, July 23rd, 2012 - Blog, exercises, Places for writers, Thinking, Tip

WATTPAD WORKSHOP SERIES: WEEK 9!

CHARACTER: THE PULSING HEART OF A GOOD STORY

Welcome to the Wattpad Workshop Series!

Start anytime.

These are free workshops for Wattpad writers who want to be inspired and challenged. You’ll come away with new ideas, new techniques and, most importantly, you’ll generate lots of new writing. The workshops run every Monday on the Wattpad Blog.

To join in: read the post and get writing – post your writing on the Weekly Workshop Series Discussion Thread!

Week 9 (Missed the earlier writer’s workshop? Join in with this week and go back to check out Week 1, Week 2, Week 3, Week 4, Week 5, Week 6, Week 7 and Week 8!)

“Description begins in the writer’s imagination, but should finish in the reader’s.” – Stephen King, On Writing

 

So far in these workshops on character we’ve thought about our characters’ habits, gestures, deepest secrets and favourite foods. We’ve got to know them on the inside. This week, we’re thinking about what our characters’ look like and figuring out how to include this information in our stories. Stephen King in his masterful book On Writing (I haven’t recommended this to you yet, but I do recommend it highly) gives a good example. He says if you describe a character as a ‘pimply faced high school outcast’ you should trust that we’ve all met someone like that. He suggests letting THE READER fill in the rest using their imagination.

The best time to include physical description is when you introduce your character. If you don’t tell your reader until the tenth chapter that your character has a limp and woolly grey hair, they’ll be surprised (and annoyed) you didn’t give these details before.  They will have an image of the character in their heads from the first moment they meet the character on the page.

Our exercise this week is to introduce a character. We’re going to write an opening of a scene, with action and dialogue, including some physical description.

Before you start, here are six tips to make your character introduction, including your physical description, stronger.

1-     Think very carefully about key words that define this character, words like ‘pimply faced high-school outcast’. Cut the rest. Trust your reader.

2-     Remember how important action is to character. Is there a way that the action can give hints about the character’s physical self? For example: She couldn’t lift the chair, although she tried. It was too heavy for someone so fine-boned.

3-     A friend of mine, author Maria Meindl, suggests thinking with all five senses when you describe. How could you use this advice in your introduction of your character?

4-     Watch for clichés. Don’t describe someone GENERAL describe someone SPECIFIC. Focus on a key detail about the character so we can see them clearly in our minds.

5-     Is your character looking in the mirror? STOP RIGHT NOW! One of the ‘tricks’ writers use is to have their character look in a mirror/reflective surface to describe what their character looks like. But thousands of writers have done this before. Push yourself a little harder to find a way to introduce your character.

6-     When you describe someone (or something) describe in VISUAL ORDER. Don’t start at someone’s head, then pop to their feet, then focus on their tummy. It makes it hard for a reader to follow. Work top to bottom, left to right as you visualize your character – the same way we read a page.

This week’s writing prompt:

I’m using an image prompt this week – the backs of two people, a woman and a boy, on a ship (I’m all about ships in these workshops, I guess because I was just in Vancouver!)

Find the image here.

Use this image to write a scene introducing these two characters. Write no more than 300 words. (If, instead, you’d rather use a character you’ve already been working with, that’s fine with me).

Post your writing here at the Weekly Workshop Series Discussion Thread! I’ll read it and give feedback as often as I can.

Commit to your writing by joining in this and all the upcoming workshops:

  • July 2nd-July 30th: Character – The Pulsing Heart of a Good Story
  • August 6th-Sept 3rd: Dialogue – Hear Those Voices On The Page
  • Sept 10th-Oct 8th: Take It To A New Level – Fixes For Your Fiction
  • Oct 15th-Nov 12th: Kickstart Your Writing – Trying New Things To Fuel Your Writing
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How To Handle Criticism – A Guest Post from Jon Bard

Wednesday, July 18th, 2012 - Blog, Thinking, Tip

Jon Bard is Managing Editor of Children’s Book Insider, the Newsletter for Children’s and YA Writers.  If you’d like to learn more about writing for kids and teens, visit  http://cbiclubhouse.com and Come Join the Fightin’ Bookworms!

His guest post is THE VERY FIRST on my site – thanks Jon! I’ve recommended CBI to many emerging authors, so do take a look after reading his wise words.

How to Handle Criticism 

Criticism is a topic many writers don’t like to think about. We work for weeks polishing a story and finally get to the point where we show it to someone else, only to have them tell us it’s not good enough. It hurts. But the road to becoming a published author means that other people must read what you’ve written and like it, and if not enough people like your story, you’re not going to get very far. (Let’s clarify “like”: writing is a subjective art, and some people may not like your opinion or topic. You shouldn’t change for them. But if the majority of your readers don’t like your presentation, then you’re not telling your story in the best possible way. It’s important that the person critiquing your work make this distinction.)

Before showing your work to someone else, be honest with yourself.  Exactly what kind of input are you ready for? If you want praise, support, admiration, show it to your mother. There’s nothing wrong with praise – we all need it, especially when we start out as writers.  But when you get to the point where you want candid, constructive criticism, you need to go to someone who knows the market. A critique group made up of fellow writers, a writing class, or a critique offered through a writing conference or service  are good choices.  When someone is critiquing your work, listen to what they say and take notes. Try to avoid getting angry or defensive.  When you review your notes (it’s often best to wait until the next day), keep these points in mind:

  • Did the person not like your story because of some personal bias against your topic?
  • Were these comments coming from someone who truly understand the market for which you’re writing?
  • Are the comments based on the structure of your story, or the style of your writing? If so, could making these changes improve your story?  (Be honest.)
  • Were the comments enclosed in a rejection letter from an editor?

Believe it or not, there are levels of rejection, with a personalized rejection letter being the highest level. Take the editor’s suggestions seriously—it means he or she thought enough of your work to give you some advice.

If three people have the same criticisms of your work, make the changes. In any case, try to frankly evaluate the critique, and make the changes with which you agree. Writers get so close to their stories that they can’t see the flaws after a while. If you’re open to someone pointing out these flaws, you will become a better writer.

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